Cheri February 1979
English | PDF | 100 pages | 28 MB
The Locking Up Of Lady Lewd Man-Made Muff Meets The Fuzz
Saucy Ladies Serve It Up Recipes From the Happy Cookers
Pocket Pool Body English From An Eight-Ball Beauty
Goldfingers…Tips and Toes The 1979 Body Painting Pagent
6 LIP SERVICE
The latest kink in ink from turned-on pleasure seekers
Readers share their erotic insights and adventures.
8 AMERICHERI
Headlines from Sex Central
Those saucy Happy Cookers serve it up again; A new shop specializes in nudist jewelry; More of America’s hottest swing ads; Homebodies
stage a triumphant return; We take a sudsy look at TV’s soapiest skin show; CHERI’s astral projections blast off; Queen Adrena wrestles up a storm—among other things.
22 RED HEARTS FOR BLUE BALLS
Poetic goon for the Romantic in each of us
There are better things to give than hearts and flowers!
31 THE CHERI ORCHARD
Columns by liberated women for liberated men
All the latest sleaze from your favorite CHERI sirens.
36 FLESH TONES
Different strokes for different folks . . . and figures
An on-the-spot look at the Body Painting Pageant.
40 BEACH BLANKET BUST-0
The Man-Made Muff has a run-in with the fuzz
Jill Monro gets locked up for—get ready!—Iewdness.
45 RASPBERRY CREAM
She’s filled with fun
A taste of Scandinavia with the South Bronx thrown in.
54 NON-VERBAL SET
A picture’s worth more than just 1,000 words
Wench rhymes with bench—and this set covers both.
62 WON’T YOU EAT MY VALENTINE?
Hilarious holiday fiction by Ted Mark
He thought he had everything until he had her!
67 PAOLA BY LAGARDE
European Erotique from a legendary lens
Yet another goddess from across the sea.
72 POCKET POOL
Body English from an eight-ball beauty
Profile of a gal who takes more than a cue from the guys.
80 ALL ALONE … AND FAR AWAY
Just the two of you on a South Sea island
Sex is great for passing lonely hours. . .
88 VITAL SIGNS
CHERI charts one girl’s graphic love life
When the highs and lows are all between the legs.
96 NATURE’S AMBASSADOR
Vaginal artist Rene Moncada strikes again
Our avant-garde friend shows what wets his palette.
